The Sorcerer’s Apprentice –
An Anthology of Magical Tales
Edited by Jack Zipes
Illustrated by Natalie Frank
Princeton University Press – £27.95
Prejudice in general is a belief system, not a knowledge system about a particular group, and as a belief system, stereotypes of the targeted groups are based on some obvious distinguishing appearances, but more on activities and functions attributed to the group by way of fantasies.
(‘The Sorcerer’s Apprentice, Harry
Potter, and Why Magic Matters’).
Well, who’d have ever thought one would read such profundity in a book entitled The Sorcerer’s Apprentice – An Anthology of Magical Tales?
Not I, that’s for sure.
Especially the very opening line: ”Prejudice in general is a belief system.”
Prejudice is indeed a belief system; which can, more often than not, purport to an abundance of seething, opposing disqualification. The terrible manifestation of which can further evolve unto distinct negativity. A most distinct issue upon which editor, Jack Zipes, further continues when he writes: ”Young Bruehl maintains that there are three elementary forms of fantasy, related to sexism, racism, and anti-Semitism, and childism can involve all three forms of fantasy, belief, and action: ”1) fantasies about being able to self-reproduce and to own the self-reproduced offspring; 2) fantasies about being able to have slaves – usually sex slaves – who are not incest objects; and 3) fantasies about being able to eliminate something felt to be invidiously or secretly depleting one from within.”
The latter is something Theresa May ought to be alerted to in the run up to the pending British Election (on June 8th). Let’s face it, May’s all-round embrace of ”fantasies about being able to eliminate something felt to be invidiously or secretly depleting one from within,” is a thought process she has readily subscribed to – ever since she embarked on becoming Home Secretary in 2010.
That said, An Anthology of Magical Tales really ought not become steeped nor embroiled in political tosh.
Indeed, its 348 pages (excluding Preface, Notes and Acknowledgements, Biographies of Authors, Editors, Collectors and Translators, Filmography, Bibliography, Selected and Chronological List of Sorcerer’s Apprentice Tales and Index) is a socially induced, and perhaps visionary book that presents something of a compelling look at ye traditional tale.
As Pauline Greenhill, Co-Editor of Fairy-Tale Films Beyond Disney has since written in relation to ‘The Magician and His Pupil’: ”readers will find trenchant insights and may be surprised to learn that a tale they thought they knew has much greater complexity than they imagined.”
As touched on at the outset, there is a variable complexity entwined within this book’s three parts (‘The Humiliated Apprentice Tales, ‘The Rebellious Apprentice Tales’ and the ‘Krabat Tales’), the sort of which is not only enlightening and entertaining, but also exploratory.
Littered with an array of black and white, full-page figures, The Sorcerer’s Apprentice could even be considered rather subversive – especially when placed alongside so much of what is going on in the world today.