Los Ninos Tontos/The Foolish Children
By Ana Maria Matute
Small Stations Press – £7.99
With the discerning eye of an artist, Ana Maria Matute employs bright, bold tones or sometimes soft, impressionistic tints to express her profound pessimism with the Spain that Franco ruled. Possibly she hoped her stories would serve as a catalyst for change.
Throughout this angular, alternative book, lies an undercurrent of childlike, yet political darkness. The sort of which really is a prime preponderance to be reckoned with; reason being, it comes at you when you least expect it. That said, by the time one has reached the end of Los Ninos Tontos/The Foolish Children, authoress Ana Maria Matute’s literary moves remain just as equally foreboding and fraught with daring as at the outset.
In and of itself, this should come as no surprise, especially when one comes to terms with just how and where, many of these micro-fiction stories eventually pan out.
There are twenty-one in all (written in both Spanish and English), many of which are occasionally lyric in tonality (”The child turned to ashes. He was just a little pile of thirst” – ‘Thirst and the Boy’) while simultaneously anchored in poetic imagery (”The dog, lying at the child’s feel all night, shed two tears. They clinked like little bells” – ‘The Little Blue-Eyed Black Boy’).
As noted in the Translators’ Introduction: ”Many critics have noted that Ana Maria Matute’s fiction represents an ”immediately recognisable blend of lyricism and stark realism, sombre intuition and determined sociopolitical engagement” […]. Throughout her life, Ana Maria Matute criticised the injustices of the Franco regime and referred to the dictator as ”la momia” (the mummy). Early on she developed this ”solidaridad con ‘los otros, con los silenciados (solidarity with ‘the others,” with the silenced ones).”
For this alone, Matute is to be roundly applauded and this fine publication, roundly embraced.